Rebel Royalty: How Women Have Reshaped The Monarchy

By Ariel Neidermeier

The Queen and Princess Diana on the way to the State Opening of Parliament. 4th November 1982. Trinity Mirror, Mirrorpix. Alamy Stock Photo.

Every family has a rebel, and in the British royal family, they often wear heels. The British Royal Family looks very different than it did four decades ago when Diana Spencer famously married Prince Charles in a royal wedding fit for a fairytale. Today, there is a new generation of royals bringing Princess Diana’s legacy of vulnerability, honesty and humanity into the future and reshaping the definition of what it means to be royal in the process. 

A faltering institution 

A 1,200 year old institution. A family marred by rupture. Once a symbol of immense power, historical traditions and rulership over a vast global empire — the image of the British monarchy has shifted to one of familial disputes and shocking exposés. The shift has been dramatic and accelerating ever since Princess Diana walked down the aisle to marry into the family in 1981. With hindsight, we can see clearly that Princess Diana was a young but modern woman who would struggle within the confines and strict expectations of an old and outdated institution whose cracks would soon be showing to the world. These cracks were not her fault, but were inevitable, and she was just the one who drew the spotlight to the situation.

Since Queen Elizabeth’s death last September - she was clearly the superglue to the whole operation - support for the monarchy has declined from 62% to 58%. What’s more, a recent survey from the National Center for Social Research found that while 55% of the British public consider the monarchy to be important, those who say that its retention is ‘very important’ stood at just 29%, the lowest proportion on record. 

With Queen Elizabeth’s death has also come a renewed focus on the monarchy’s colonial legacy. Many of the countries of the 15 realms recognized as the Commonwealth have revived discussion of referendums to seek independence from the United Kingdom. This includes Australia, Jamaica, Antigua and Barbuda. Also, New Zealand — whose former Prime Minister Jacinda Ardern said shortly after the Queen’s death that she was certain a referendum would occur during her lifetime. 

It seems the late Queen Elizabeth II’s historically high popularity was a uniting force behind the Commonwealth — and, high it was. In fact, the last poll conducted before the Queen’s death found that 81% of people held her in positive regard — a rate that remained consistent for more than a decade. In contrast to his mother, King Charles III’s popularity currently sits at 55%. 

The late Princess of Wales follows her sons Prince Harry (right), five years old, and Prince William, seven, on Harry's first day at the Wetherby School in Notting Hill, West London. September 15, 1989. PA Images. Alamy Stock Photo.

The women who have changed the monarchy

While no royal has surpassed the late Queen Elizabeth when it comes to popularity, some have challenged her when it comes to fame. First and foremost, the late Princess Diana, who even 25 years after her death remains more popular than both her former husband and the monarchy. And, after Princess Diana? Arguably — the Duchess of Sussex, Meghan Markle.

According to research conducted by Bonus Insider, the Duchess of Sussex is the most searched member of the Royal Family on Google, even surpassing the King by over 20 points. Following in the footsteps of her iconoclastic mother-in-law, Markle’s fame has not been built from flowing praise and popularity. From her outsider roots to her unwavering support for modern social causes, the Duchess of Sussex is paving a new path of royalty — one that her husband Harry, the Duke of Sussex, is striding resolutely by her side on. 

The People’s Princess   

To understand the iconoclasm of Harry and Meghan, one must remember their forerunner: Diana Spencer, Princess of Wales. Arguably, no royal member since King Edward VIII — who abdicated the throne in 1936 to marry American divorcée Wallis Simpson — changed the course of the House of Windsor more than Princess Diana.

With Diana came a new vision of royalty and frankly a harsh reality check on this old institution. Her infamous 1995 BBC interview in which she openly discussed her struggles with postpartum depression, bulimia, and her husband’s affair with Camilla Parker Bowles forever changed the public’s perception of the Windsors. No longer were they invincible members of a royal class. Through Diana’s brave discussion of her own struggles, she brought a sense of humanity and global sympathy for her situation.

But her trailblazing reformation of the House of Windsor didn’t stop there. Diana also used her fame to support provocative social causes. In 1987, as the HIV/AIDS epidemic gripped the world with fear, misinformation and homophobia, Princess Diana opened the UK's first purpose built HIV/AIDS unit that exclusively cared for patients infected with the virus at London Middlesex Hospital. At the opening of the unit, she shook the hand of a man suffering from the illness, publicly challenging the notion that HIV/AIDS was passed from person to person by touch. This simple but revolutionary use of the press confronted the rampant homophobia and stigmatization of HIV/AIDS patients — and made Princess Diana a champion of gay rights in the process. 

The Duke and Duchess of Sussex

Harry and Meghan’s love story has been well documented from the beginning. But, the difference between the story told by the press and the story they would later tell in their Netflix docuseries Harry & Meghan illuminates the chasm between what the public sees of the royal family and what happens behind palace doors. 

After the mistreatment and isolation Diana faced by the institution, Meghan’s initial acceptance by the Royal Family seemed to right past wrongdoings. With the Royal Family’s acceptance of Meghan — a previously divorced, half-Black, American actress from a middle class family — came a refreshing image of a monarchy finally embracing the modern world. But, Meghan’s treatment by the press quickly revealed the entrenched systems of oppression still present within the institution and the media relationships that support it. As revealed in Netflix’s Harry & Meghan, as well as the Duke and Duchess of Sussex’s astonishing interview with Oprah Winfrey in 2022, many of the stories pitched to the press about Meghan were inaccurate or used to distract from unfavorable stories about more senior members of the Royal Family. This “invisible contract” with the Royal Rota, a pool of UK outlets with exclusive access to coverage of the royal family, is a relationship Diana also struggled with and which — many would argue — would lead to her untimely death.

But, the racial overtones of the press coverage dedicated to Meghan seemed to highlight even more insidious trends. Over time, race would become a major factor in the relationship between Meghan and the tabloids, which would fuel harmful stereotypes with headlines declaring she was “(almost) straight outta Compton.” Critics have said the media’s treatment of Meghan, which contrasted starkly to the often positive coverage given to her sister-in-law Kate Middleton, the Duchess of Cambridge, is at least partly explained by a lack of newsroom diversity in the UK. Regardless, it was the Royal Family's lack of protective response that highlighted the systemic inner workings of the institution's dependence on the press.    

The New Royals

The Duke and Duchess of Sussex arrive at City Hall in Dusseldorf, Germany for the Invictus Games Dusseldorf 2023 One Year to Go event. Picture date: Tuesday September 6, 2022. PA Images. Alamy Stock Photo.

After the Duke and Duchess of Sussex announced they would be stepping down from their positions as senior members of the Royal Family in January 2020, they began charting a new course of what being royal in the modern world looks like. Much like Diana did during her separation from the institution in the 1990s, Harry and Meghan have revealed their experiences with the inner workings of the British Monarchy in high profile interviews with the press — going against the Royal Family’s motto of “never complain, never explain”

They’ve also taken measures to stand up to the press both publicly and legally. Harry and Meghan have filed at least seven lawsuits against British and U.S. media organizations since 2019 for alleged breaches of privacy, unlawful practices and false stories against them and their family. They also openly discuss the press’ aggressive tactics. In May, the couple spoke publicly about their experience in a "near catastrophic car chase" with paparazzi on their way home from attending an awards ceremony in New York City. It’s clear the Duke and Duchess of Sussex are not backing down — either from speaking openly about their treatment by the Royal Family or the press organizations that keep them relevant.

Finally, Harry and Meghan are making good on their commitment to upholding Diana’s legacy through their philanthropic work and social causes. Since its founding in 2020, the couple’s Archewell Foundation has raised $13 million and donated $3 million to philanthropic causes, including donating to the construction of a play park in Uvalde, Texas; procuring 12.6 million COVID vaccines in partnership with Global Citizen; rescuing over 7,400 people from Afghanistan in partnership with Human First Coalition, and providing 50,000 meals through a partnership with World Central Kitchen. 

Harry has also emerged as an enthusiastic and committed ally for feminist and social justice issues. In fact, both he and Meghan were awarded the Robert F. Kennedy Human Rights organization’s 2022 Ripple of Hope award for their activism on racial justice and mental health. Harry has also continued to be involved in supporting the Invictus Games, an international adaptive sport competition for wounded servicemen, women and veterans. Meghan’s stardom, social capital and feminist power seem just beginning to blossom, with her creativity and bold leadership a source of inspiration for many across the globe.

A Defiant Legacy 

Through their open discussion of their experiences and legal defiance of the press — Meghan and Harry are taking Diana’s legacy of vulnerability, humanity and freedom into the modern world. While the future of the monarchy is uncertain, one thing is clear: Harry and Meghan’s rise as influential players on the world’s stage will continue to reveal the fragility of the monarchy in the face of King Charles’ unpopular reign and modern expectations and demands for freedom.


About the Author - Ariel Neidermeier (she/her) is a first generation Filipina-American writer educated in journalism at Emerson College and international relations at the University of California, San Diego. She lives in the San Francisco Bay Area.

The Radical Act of Rest

‘Resting Our Eyes’ Exhibit at ICA SF Gallery

By Kim Christensen and Polina Smith

’Resting Our Eyes’ uplifts the practice of rest, beauty and adornment of Black women as radical acts of resistance, pleasure and power. Tahirah Rasheed and Autumn Breon co-curated this art exhibit, featuring over 20 multigenerational Black artists, to focus on the ‘liberation and celebration of Black women through the lens of leisure and physical adornment.’ A timely take on the personal is political maxim, Resting Our Eyes has drawn enthusiastic audiences to the new ICA gallery in San Francisco where it runs through June 25, 2023.

Curators Tahirah Rasheed and Autumn Breon celebrate ‘Resting Our Eyes’ exhibit at Institute of Contemporary Art San Francisco. Photography: Vikram Valluri. © BFA


Collectively, these works invite us to see Black womxn as fully realized and free.
— Exhibit co-curators Tahirah Rasheed and Autumn Breon

Installation view of ‘Resting Our Eyes’ exhibit at ICA San Francisco gallery in 2023.
Photo by R. Tsai for Seismic Sisters.

Self-care as a political strategy is a trending topic among feminist resisters on social media; but of course, it has been known and used by Black women going way back. The curators cite specifically as inspiration the Combahee River Collective – a group of Black lesbian feminist activists and intellectual thinkers who gathered regularly in the 1970s in Boston. They met up as an intentional sisterhood for years, carving out time to cook suppers together, discuss books, make art, dance, talk politics and culture, as well as wonder and envision what the world would look like – and society feel like – “If Black women were free”. 

Installation view of ‘Resting Our Eyes’ exhibit at ICA SF gallery in 2023.
Photo by R. Tsai for Seismic Sisters.


If Black women were free, it would mean that everyone else would have to be free, since our freedom would necessitate the destruction of all systems of oppression.
— from the Combahee River Collective Statement

In 1977 they were invited to write down their ideas for a book challenging capitalist patriarchy; known as the ‘Combahee River Collective Statement’, it has since become famous and studied by feminists worldwide. In it, the Collective came to assert a guiding philosophy, namely that the successes of any movement centering Black women would naturally bring rewards to the greater society. This concept is vitally relevant today. Creating a politics that centers Black women’s experience and needs - of the body, reproduction, family, relationships, jobs, infrastructure, education, community, health and safety - and that emphasizes joy and happiness - would likely improve conditions for other marginalized groups and the whole of society.

Artist Adana Tillman, “Wild Thoughts” quilted fabric, on display in ‘Resting Our Eyes’ exhibit at ICA SF gallery, 2023. Photo by R. Tsai for Seismic Sisters.

This exhibit confronts the legacy of subordination and colonization that Black women face daily. It challenges that subordination by celebrating the physical acts of rest and beautification, two acts that are as radical as they are ordinary. 

Artist LaKela Brown, “Doorknocker Earring Composition with Multiple Clusters and  Impressions” 2022, plaster and acrylic. Courtesy of the artist and Reyes | Finn. Photo by R. Tsai for Seismic Sisters.

The secondary theme of the exhibit – physical adornment – is captured through several thoughtful artistic media. Artist LaKela Brown’s “Composition With 35 Golden Doorknocker Impressions,” references the big, bold and gold door knocker-style earrings that many Black women wear as a fashion symbol of resistance and proud celebration of their cultural heritage.

The symbolic earrings are celebrated not only within this art exhibit space, but also by partnering with Sucré, a popular jewelry brand now selling this historically-inspired original merchandise.

Artist Genevieve Gaignard, “Look What We’ve Become” 2020 on display in ‘Resting Our Eyes’ exhibit at ICA SF gallery. Photo by R. Tsai for Seismic Sisters.

The advancement of the voices of Black women, in spheres both political and artistic, is not and has never been a zero-sum game. Curators Breon and Rasheed have created ‘Resting Our Eyes’ to reflect and reify this important axiom.

‘Resting Our Eyes’ has garnered the attention and enthusiastic praise of such media outlets as Vogue, The Cut, and Artnet. Such large-scale attention has delivered a powerful platform to these Bay Area connected artists and curators. ‘Resting our Eyes’ is a powerful, challenging and thought-provoking multimedia exhibit uplifting themes of rest, beauty and adornment all centered within the context of a radical politics. ‘Resting Our Eyes’ is showing at the ICA San Francisco gallery from January 21 to June 25, 2023. 

Street view of new ICA San Francisco art gallery, 2023. Photo by R. Tsai for Seismic Sisters.


About the authors:  Kim Christensen is the founder and executive editor of Seismic Sisters; Polina Smith is a staff culture writer at Seismic Sisters.

Journalist Dena Takruri Reports on Conflict, Culture and Communities

By Jessica Semaan

Dena Takruri is an award-winning journalist, producer and storyteller who has built a brilliant career in digital news media. Known for her insightful video reports from conflict zones around the globe, Takruri covers the human impacts of natural and man-made disasters. She has reported on the devastation from wildfires in Northern California, hurricanes and environmental conditions in Puerto Rico, and the coronavirus pandemic’s toll in San Quentin prison. Curiosity, empathy and grit are her signature traits as a reporter. We are excited to share this very personal interview with Dena Takruri.

Journalist Dena Takruri sits down for an interview with Seismic Sisters.  Photo by Tumay Aslay.

Journalist Dena Takruri sits down for an interview with Seismic Sisters.
Photo by Tumay Aslay.

What inspired you to take the journalist path?

My desire to become a journalist was very much shaped by growing up Muslim and Arab in the U.S. and seeing the absence of fair representation of my communities. I grew up in a home where my Palestinian immigrant father basically had the news on 24/7. He was constantly monitoring the situation in Palestine because his plan had always been to pack up the family and move us “back home” once there was peace. Of course that never happened. What did occur instead was that I got an early crash course in media literacy. I observed how my people were regularly demonized and dehumanized. The basic denial of my people’s humanity motivated me to want to work in the media to reclaim our narrative and carve out a space to have a voice without having to compromise who I am. It fueled the fire to want to amplify the voices of the voiceless and speak truth to power. I’ve also always been a highly inquisitive person who asks a lot of questions. My parents jokingly nicknamed me “the FBI” when I was a child because of how many detail-oriented questions I used to ask about everything. I’ve always been curious about the world and love learning people’s stories, which made journalism a natural fit.

What has it been like to be a prominent female reporter in a male dominated space?

There are many challenges but also certain advantages to being a woman in this space. As is the case in most professions, discrimination exists. I remember pretty early on in my reporting career, a male manager passed me up on an assignment to cover a story about a far right movement in Europe and opted to send a male colleague instead. When I asked him why he didn’t send me and if there was anything more I could do to be considered for such opportunities, his reply was, “this story is gritty - it needs a man.” It was a slap in the face, but I’m proud to have later gone on to report from various conflict zones and found myself in many a dicey situation that demonstrated my grit. That said, after his comment, my femininity became something I grew self-conscious about while reporting in the field. I sort of internalized the idea that dressing a certain way or having too much makeup on could be disqualifying. I have to make considerations about my appearance that my male counterparts never have to think about. The rampant objectification I experience from men who comment on my videos online is another constant challenge, and one that’s been very demoralizing. I want to be judged by the quality of my work and the stories I’m telling and not by how I look. Unfortunately the internet can be a very degrading and hostile space for women in that regard.

Despite all that, I think that being a woman has been a huge asset to my success. Having compassion, empathy and emotional intelligence are intrinsic to who I am as a woman. And they’re qualities that are necessary to have while reporting, especially as I’m often meeting people during the most traumatic moments of their lives. I’m able to forge a connection with them that makes them feel safe to open up, be vulnerable and many times cry as they’re sharing their stories. I’ve also found that powerful men and/or men from the opposite side of the political spectrum are more inclined to talk to me because they’re disarmed by the fact that I’m a woman. That’s fine by me because it just makes it easier to hit them with the hard questions!

I’ll add that while the news landscape is certainly male (and white) dominated, it is in fact changing. That’s in large part thanks to movements like Me Too and Black Lives Matter which have drawn attention to systemic inequalities and have opened the way for necessary critique and change. There are conversations taking place within newsrooms now that would have been unimaginable just a few years back. My experience at AJ+, though, has been refreshingly unique in that my top boss, Dima Khatib, is a strong Palestinian woman who has worked to ensure that other women are empowered and thrive.

Dena Takruri Quote

What about your journey as a journalist do you feel most proud of?

I’m most proud to serve as a role model to younger women and girls from my community. It’s very humbling to hear them say that I’ve inspired them to speak out, or be brave enough to follow their dreams, or embrace their (Palestinian/Arab/Muslim) identity, especially as I remember how isolating it felt to grow up with virtually no role models who looked like me. One of the most touching moments I experienced was after I gave a speech at a Muslim American gala event. A college student came up to tell me that her father had been unsupportive of her desire to major in political science and was encouraging her to pursue something more “practical” like medicine and engineering instead. She said she played some of my videos for him, which changed his mind and made him get on board. I was really moved by that.

How does your identity of being Palestinian American influence the work you do and topics you cover?

I was born and raised in the U.S. but grew up visiting my relatives in the Occupied West Bank very regularly. The experiences of living under a military occupation with checkpoints, curfews, strip searches and the overall lack of freedom were transformative and shaped my political consciousness. Being Palestinian gives you a very personal and intimate understanding of injustice. I know what it means to be criminalized and dehumanized on the basis of your ethnicity and how it feels to be dispossessed from your land due to ongoing settler colonialism. It’s enabled me to connect the dots between the systems of oppression faced by other communities, whether we’re talking about Black Americans, Indigenous folks, or the undocumented. I’m driven to tell the stories of marginalized communities and people fighting for equality and self-determination and select my stories first and foremost through the lens of social justice.

What are forms of self-care you practice? 

I adopted a kitten two years ago and found that his companionship is very calming and healing and also brings me so much joy. I named him Shams, which is the Arabic word for sun and also the name of Rumi’s spiritual instructor and companion. My Shams has shown me that pet therapy is real! I also love riding my bike and dancing. Getting out of my head and into my body as much as possible is good for me as I tend to be anxious and overthink things. Reading and listening to audiobooks is another big self-care practice for me. And finally, knowing when to unplug from the news and social media is a form of self-care that I have yet to master but am steadily working on. It feels more imperative now than ever.

Dena Takruri, Journalist, Host and Producer. Photo by Tumay Aslay.

Dena Takruri, Journalist, Host and Producer. Photo by Tumay Aslay.

What advice do you have to give for young women wanting to use their voice for change but who are afraid?

You’re not alone. Patriarchy was designed to silence us, and that's exactly why we need to summon the courage to speak up and speak out. Every woman, whether she realizes it or not, is in the midst of a revolution against the patriarchy. It doesn’t matter whether she’s fighting for the right to vote, equal pay, autonomy over her body or the freedom to do or wear what she wants without getting catcalled, harassed or even worse. Every time a woman chooses to use her voice to stand up for herself, it benefits the rest of us. We’re living in a unique moment where we’re witnessing the power that social movements have to disrupt the status quo and aggressively push for gender, racial, and socioeconomic equality. These movements wouldn’t be around had women not used their voices to advocate for change.

That said, we must also be mindful of the fact that it’s inherently riskier for some women to speak up. Women of color, queer and transgender women, women who are less educated, and women of lower socioeconomic status are especially vulnerable. That’s why it’s incumbent on all of us, particularly those of us with more privilege, to support them with true allyship.

Twitter: @Dena
Instagram:
@denatakruri

Journalist Dena Takruri. Photo by Tumay Aslay.

Journalist Dena Takruri. Photo by Tumay Aslay.

A note from the interviewer.
Before I met Dena Takruri at an Arab Film Festival event, on whose board she was serving, I had watched many of her intelligent, captivating AJ+ viral videos on topics ranging from systemic oppression in the U.S. to the Israeli occupation in Palestine, read interviews with her online, and kept up with her Facebook page. Suffice to say, as an Arab woman myself, I was fascinated and inspired. The day I finally met her in real life, I almost fangirled her and asked for an autograph, until I remembered that I was also on the board of the Arab Film Festival, and we have friends in common who were present. Avoiding embarrassment, I went up to her and asked awkwardly for her name, trying to play it cool.

With time, and later a pandemic lockdown, we have become friends and I have gotten the privilege to know Dena Takruri behind the cameras and away from the noise of reporting zones. I got to see her deep care for the causes she reports on. I saw her attention to detail in everything she takes on. I saw her endless curiosity about humans, their stories, what drives them and even how could she help them. I witnessed her undying loyalty to her friends, family, community and her Palestinian roots. Dena's identities of journalist, activist, American, Palestinian, woman and human all are integrated and aligned around her core values. The Dena in front of the camera is the same as Dena behind the camera. She is the real deal. She is the authentic deal. And I am excited for you to get to know her too. 

Jessica Semaan

Jessica Semaan

Jessica Semaan is a freelance writer, book author, poet and performer. Chronicling her journey of healing from trauma, she has over 50,000 people following her writing on Medium. Jessica’s debut book Child of the Moon was published in 2018. She also is studying to become a psychotherapist.

The views, practices, information and opinions expressed in this article are those of the individuals involved in the article and do not necessarily represent those of Seismic Sisters.